article
Contemporary adapted dances among the Dogon
African arts • 5 (1) • Published In 1971 • Pages: 28-33, 68-72, 84
By: Imperato, Pascal James.
Abstract
This is an account of the adaptation of traditional Dogon masked dances for presentation as theatrical performances to visitors, especially tourists. Traditionally, masked dances were part and parcel of larger ceremonials, such as the death anniversary ceremony (dama). As ritual events the dances were imbued with meaning by the associated myth and symbolism. But as theatrical performances, the author explains, they are devoid of any traditional meaning. The adapted dances have been simplified and been more rigorously choreographed. Certain parts of the dances have been eliminated, other parts have been made more spectacular, depending upon the tourists' preferences. Included in the source are several plates depicting the masks, and several snap shots of the dances in progress. The myth and symbolism underlying the traditional ritual performance of the dances are described in some detail, as are the accompanying music and song. An account of the secret Sigui language, used in songs during the dances, and which is the vehicle by which myths are passed from one generation of men to the next, is also provided. Finally, the author shows the relation between adaptation of the masked dances and broader sociocultural changes which have taken place in Dogon society.
- HRAF PubDate
- 2000
- Region
- Africa
- Sub Region
- Western Africa
- Document Type
- article
- Evaluation
- Creator Types
- Physician
- Government Official
- Document Rating
- 5: Excellent Primary Data
- Analyst
- Christopher Latham ; 1988
- Field Date
- March 1967-March 1971
- Coverage Date
- 1968-1969
- Coverage Place
- Sanga, Bandiagara Circle, Mopti Region, Mali
- Notes
- Pascal James Imperato
- LCCN
- sf 77000055
- LCSH
- Dogons (African people)