article

Sculptures of barkcloth and wood from Rapa Nui

RES: Anthropology and Aesthetics (44) • Published In 1981 • Pages: 10-69 ,

By: Kaeppler, Adrienne L..

Abstract
This is a profusely illustrated study of Rapa Nui wooden and barkcloth sculptures and their meanings, drawing on comparisons to other East Polynesian cultures for clues. Rapa Nui figurines were both ancestral and fertility symbols. An early figurine's ridged backbone represents genealogy, similar to the ridgepole of a Maori house; the word for "backbone" is the same for "family" in Hawaiian. With the collapse of the clan-based system, fertility and transformation associated with birdman cult became themes emphasized in Rapa Nui sculpture: later human figurines have bird-like ribs and wing-like arms; fish carvings have the gular pouch of a frigate bird.
Subjects
Felted and other non-interworked fabrics
Special garments
Woodworking
Visual arts
Status, role, and prestige
Spirits and gods
Ethnobotany
Ethnozoology
Sexuality
culture
Rapa Nui
HRAF PubDate
2017
Region
Oceania
Sub Region
Polynesia
Document Type
article
Evaluation
Creator Type
Ethnologist
Document Rating
5: Excellent Primary Data
Analyst
Ian Skoggard ; 2012
Field Date
1984, 2001
Coverage Date
1722–1872
Coverage Place
Easter Island, Valparaíso, Chile
Notes
Adrienne L. Kaeppler
Includes bibliographical references (p. 31-33)
LCCN
81649939
LCSH
Easter Island